Showing posts with label Avant Garde. Show all posts
Showing posts with label Avant Garde. Show all posts

Tuesday, 3 November 2009

Mike Patton - Adult Themes For Voice


ADULT THEMES FOR VOICE

Mike Patton

RIO/Avant-Prog



Mike Patton has a large cult following for his versatility & diversity.He's contributed guest vocals to dozens of bands such as The Dillinger Escape Plan,The X-ecutioners,Bjork & massive attack whilst leading his own bands & projects such as Tomahawk,Fantomas,Lovage,Mondo Cane and maintaining a solo career,composing scores for film as well as lending his vocal talents for Transformers 2 & I am Legend.He has very close ties with Avant Garde/Jazz saxophone player John Zorn & collaborates frequently with high school friend & bass player Trevor Dunn.

His high school band Mr Bungle,a group of friends gained him notoriety amongst musicians.Their fusion of genres such as surf,funk & metal made them certainly unique and inspired many bands of the nineties such as Korn & Incubus to blend multiple genres with metal.But it was when Faith No More member Jim Martin wanted to Patton to their replace current vocalist Chuck Mosley and upon joining with give Patton his hugest commercial success.This could be seen as a stigma to people not familiar with his other/more frequent others works.

The album under review is possibly the most risky début ,I have ever head.Fortunately being a fan of his for a while cushioned the blow of how much of an abstract approach he took to recording it.The album just comprising of vocal tracks and various themes in which he creates noise and sounds with his vocals reflecting the themes and vice versa.When listening to this,it can help to acknowledge the title and you may see what the vocals are trying to replicate.The tracks & theme their selves are very dark & sometimes deranged with many of the titles involving death & sex such as titles called ""I Killed Him Like a Dog...And He Still Laughed"" & "Red Mouth, Black Orgasm".
His approach his very similar to his work John Zorn with the Moonchild trio where lyricless vocals & sounds are performed over experimental/Avant Garde music,this certainly shares the same category but minus the instruments your left with 43 minutes of noise vocals.When the concept of an Avant Garde is clear you can begin to try & understand what's really trying to happen.Sometimes I think the idea & release of the album is more a statement then the music itself.I really love the idea of this album,Patton's vocals are spine chilling & performed impressively.He creates sounds which sound impossible to replicate or for that matter even sound like they were created from a human beings mouth (again possibly the point album).The album can grow tiring three quarters of the way through,the beginning feels exciting & unique,because it's certain you've never heard anything like this before but once those feelings diminish it can feel like a novelty and there are moments where there are genuinely hilarious moments such as "Inconsolable Widows in Search of Distraction".

An Avant Garde album with one of the most unique vocalists ever and despite whether you like the album or not,you have to appreciate the effort & creativity.It's not one I play regularly but am glad to listen to once in a while.

Don't expect Faith No More or even anything Patton has done before.

Studio Album, released in 1996

Songs / Tracks Listing

1. Wuxiapian 2:12
2. "I Killed Him Like a Dog...And He Still Laughed" 0:56
3. Smog 0:45
4. The Man In The Lower Left Hand Corner of the Photograph 1:47
5. Robot Sex (neon) 0:25
6. Screams of the Asteroid 0:55
7. Robot Sex (b/w) 0:16
8. Porno Holocaust 1:00
9. Inconsolable Widows in Search of Distraction 3:09
10. "Hurry Up and Kill Me...I'm Cold" 0:06
11. Man Alone In Steambath 1:01
12. Guinea Pig 1 0:35
13. Guinea Pig 2 1:26
14. Guinea Pig 3 0:16
15. Guinea Pig 4 1:42
16. A Woman With The Skin of the Moon 0:37
17. A Lizard With the Skin of a Woman 1:38
18. Catheter 1:18
19. "Fix It So The Bruises Don't Show" 1:20
20. Robot Sex (watercolors) 0:24
21. A Ceremony of Senses, An Alibi In The Red Light District 0:40
22. Butterfly in a Glass Maze 2:19
23. A Leper With The Face of a Baby Girl 2:40
24. The One Armed vs. 9 killers 1:17
25. Pillow Biter 2:42
26. Raped On A Bed of Sand 1:46
27. Violence to the 5th 2:17
28. Red Mouth, Black Orgasm 0:26
29. Wuxiapian Fantastique 0:16
30. A Smile, A Slap In The Face, A Fart, A Kiss On The Mouth 0:26
31. Private Lessons on Planet Eros 0:36
32. "Pneumonia with Complications" 0:13
33. Orgy in Reverb (10 Kilometers of Lust) 4:53

Total Time: 43:00

Sunday, 18 October 2009

Omar Rodriguez-Lopez & Jeremy Michael Ward


OMAR RODRIGUEZ-LOPEZ & JEREMY MICHAEL WARD

Omar Rodriguez-Lopez

Heavy Prog



This is a collaboration between Omar Rodriguez Lopez & Jeremy Michael Ward.Both of which very important to birth and evolution of The Mars Volta.Omar of course the primary song writer and group director for the Volta and Jeremy who provided the ambient and soundscape effects for De-loused In Comatorium and their EP Tremulant contributing to a more depthful and atmospherical Volta. Unfortunately Ward died from a heroin overdose at the age of 27 a month before the release of their debut De-loused and in tribute five years later Omar produced and released this album which originally was never going to be released was to be only to be shared around their circle of friends. Now It's important to say this is certainly not progressive rock in any shape or form and I think people can only be dissapointed by this record if they have no knowledge or awareness of Avant Garde,Music concrete and other such noise music.The only relevant comparison I can associate this album with would be avant composer Karlheinz Stockhausen.Without this knowledge you may be lost.This album consists of such effects and sounds which bare little resemblance to melody or structure but explorations of sounds and atmospherics providing themes and moods.As far as I can tell there is no feature of standard rock instruments such as guitar and drums and may just feature keyboards and modulators. Personally being interested in such music I find this album very intriguing and was ultimately impressed.Pretentious noise?possibly.But fantastic noise none the less.



Old Volta with Jeremy Ward